Sunday, 20 December 2015

PURPOSE OF A TITLE SEQUENCE





The purpose of a title sequence is to create an atmosphere and set the tone for the next 2 hours. It can also be used to foreshadow the narrative and suggest some of the themes which will be explored throughout the film. Title sequence give away the genre of the film and sometimes effortlessly kick starting the narrative start away..
 
It also gives the directors an opportunity to show off their masterpiece and introduce the cast and stars that play a significant part in it.

Monday, 14 December 2015

KYLE COOPER

According to Kyle Cooper a good title the sequence should consist of the following..
  • typography in service of the story
  • should be a story in itself
  • title sequence should be presented as a metaphor for the film
Cooper studies the microscopic images of cells, teeth, bones, and skin. The micro details in the images help convey the story and create an atmosphere for the rest of the film as its something interesting and usual.

Thursday, 10 December 2015

CLASSIC HORROR DIRECTORS

Alfred Hitchcock - The master of suspense 



Many believe that Alfred Hitchcock films are at the top of the 'best movies ever made' list, may it be of the horror genre or any other. Hitchcock takes in our worst fears and turns them into something which feels realer than a movie should. The 'villains' or 'antagonists' are believable and feel like they could really exist in parts of everyday life e.g. a creepy next door neighbours. Suspense thrillers like 'Psycho' 'Rear Window' and 'Vertigo' prove its possible to scare just through anticipation and mental disintegration built up through music, off kilter camera angles and playful misdirection.


James Whale - Gothic horror



James Whale was recognised for his work on 'Frankenstein' notable for its sympathetic presentation of the monster and elements of German expressionism to 'The invisible man' and 'The bride of Frankenstein' recognised for the humour in horror.


Eli Roth



Eli Roth is an american director, producer, writer and actor. He is known for directing the sequel of 'Hostel' (2006, 2007) The genre of horror includes explicitly violent and bloody films.

Sunday, 29 November 2015

CONVENTIONS OF HORROR


HSTORY OF HORROR

THE SILENT ERA:

Germany became a part of the international film industry.


Germany expressionism 1920's-1930's.


Horror film production raised from 24 films to 130 within four years.





MONSTERS AND MAD SCIENTISTS:

Having monsters in the early years horror raised the popularity for the genre. In the era of 1930's, Dracula, Frankenstein and mad scientists were introduced to horror films.















THE PRIMAL ANIMAL WITHIN:

In the early 1940's animals were introduced to horror movies. they were often seen as half humans/half animal, one of the most famous and successful examples is ''The wolf man'' which became one of the main icons in the sub genre.








MUTANTS AND MONSTERS:

When it came to 1950's, the style of horror movies had turned into sci-fi horrors and unknown, a lot of the time aliens and other non existing creatures were used.
Example- ''The Blob - 1958''






GHOSTS ,SATANISM AND BODY HORROR

Horror films evolved and got better and more real around the 1970's, ghosts and demons came on the scene around that time. The most popular film of that sub genre was ''Ghost stories''.
In the 1980's body horror, blood and brutality came into cinemas.

TITLE SEQUENCE - SHUTTER ISLAND

Shutter Island (2010) film title sequence opens with a shot of a long corridor and then there's a quick editing cut to a shot of spiral staircase. The spiral staircase add the element illusion and suspense. The text is bold, jumpy, and at times difficult to read. This adds a sense of mystery and gives the audience the idea that something may not be right.

The establishing shot of a gate opening is placed after a loud crash in the soundtrack, almost preparing the audience to the disaster that may occur in a place behind these gates. The camera closes in on the first gate as it opens and follows through towards the second gate. This is significant because it creates a sense of worry and isolation by positioning the audience in a very uncomfortable place, and that is done through the camera angle of the shot. 

A gun is shown being stepped on by a foot and being dragged away intriguing the audience as it creates the mood for violence, danger and crime. The motion also suggests that there might be someone who needs help as their protection (the gun) has been taken away.

The atmosphere of crime and danger is futher reinfored by this shot of a darkly lit room, which looks like a prison cell. The hand cuffs and chains are shown through an angle which seems like a pov shot of someone who might be sitting in the corner of the room looking towards the light radiating from the outside world.

The long view shot of a dark, gloomy island looks uninviting but also daring the audience to enter and explore. The audience is immediately curious and interested. This shot also maintains the theme of isolation, danger and mystery set in the previous shots.

The film then begins as the name of the film is shown to end the title sequence. The text is in bold letters and the colour red which has connotations of evil and danger. The title gets bigger and looks like its coming towards the audience as if its inviting them in.